Articles by Mark Woods http://web.mac.com/markwoods3/iWeb/MarkWoodsWebsite/Articles/Articles.html Over the years I’ve written many technical articles, mainly for the ICG Magazine. I’ve included a number of them here. iWeb 1.1.2 http://web.mac.com/markwoods3/iWeb/MarkWoodsWebsite/Articles/Articles_files/image.png Articles by Mark Woods http://web.mac.com/markwoods3/iWeb/MarkWoodsWebsite/Articles/Articles.html How To Effectively Use a Gray Card The definitive discussion of how to use the 18% Gray Card, and why it’s so important for the Cinematographer to communicate with the lab. http://web.mac.com/markwoods3/iWeb/MarkWoodsWebsite/Articles/738E9006-A92C-45A0-876B-1007B980D4D7.html http://web.mac.com/markwoods3/iWeb/MarkWoodsWebsite/Articles/738E9006-A92C-45A0-876B-1007B980D4D7.html Mon, 1 Sep 1997 15:29:01 -0700 Recently I was asked to participate in a presentation of Eastman Kodak’s Telecine Tool Kit to the Guild’s West Coast Region at Laser Pacific. This kit provides a number of tools for Directors of Pho From Candlelight to Daylight By Mark Woods Director of Photography http://web.mac.com/markwoods3/iWeb/MarkWoodsWebsite/Articles/A9F4FB89-9705-44BA-AEAA-BD34162B9551.html http://web.mac.com/markwoods3/iWeb/MarkWoodsWebsite/Articles/A9F4FB89-9705-44BA-AEAA-BD34162B9551.html Mon, 1 Dec 1997 14:49:12 -0800 Over the years I’ve noticed what appears to be a loss in fine detail when I shoot warmer scenes. It was particularly noticeable when I first started shooting, and finished filming a scene in the lat Blurring the Lines of Production A post-modern look at the three changing stages of production. Copyright Mark Woods Director of Photography http://web.mac.com/markwoods3/iWeb/MarkWoodsWebsite/Articles/B29DC9D5-F8A0-4FDD-ABD8-E702506A528A.html http://web.mac.com/markwoods3/iWeb/MarkWoodsWebsite/Articles/B29DC9D5-F8A0-4FDD-ABD8-E702506A528A.html Thu, 1 Nov 2001 13:12:16 -0800 Overview When I started this article I thought it would be the “same old same old” with an emphasis on electronic post. I can not tell you what a surprise I had once I stepped through the looking gla Production Globalization & Other Spins on the New Millenium Copyright Mark Woods Director of Photography http://web.mac.com/markwoods3/iWeb/MarkWoodsWebsite/Articles/E9D21D53-9D55-4CE3-94BD-BB92FC3CCAE7.html http://web.mac.com/markwoods3/iWeb/MarkWoodsWebsite/Articles/E9D21D53-9D55-4CE3-94BD-BB92FC3CCAE7.html Tue, 1 Feb 2000 10:27:35 -0800 Runaway Production The buzz is that Canada has become Hollywood’s new back lot. It’s actually much worse. In 1991 I shot the Hasbro GI Joe campaign in Vancouver, Canada. At the time I spoke with th The Future of Cinema: A Real World Progress Report Some Thoughts about the 1999 SMPTE/USC Seminar Copyright Mark Woods Director of Photography http://web.mac.com/markwoods3/iWeb/MarkWoodsWebsite/Articles/326D314E-901E-4618-8DD8-DCEBCBDB2E60.html http://web.mac.com/markwoods3/iWeb/MarkWoodsWebsite/Articles/326D314E-901E-4618-8DD8-DCEBCBDB2E60.html Thu, 1 Jul 1999 10:07:43 -0700 Overview One of the biggest surprises, and a pleasant one, was the number of Directors of Photography included with the electronic engineers. John Brooks and Leon Silverman set the tone of mutual re